FeedbackPro
Actionable feedback from top creatives
Experience includes Netflix, Disney, ITV, Channel 5, BFI, Lionsgate, Reality TV, Raindance, BAFTA winning shows & more
FILM + TV
Choose a creative.
Submit a tape or question.
Receive a voice note.
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Florence Rose (she/her) has worked at ITG for over 8 years, working with the best of British talent and nurturing the future with clients working on TV projects including 'Boiling Point', 'House of Dragon', 'Sex Education', 'Help', 'Time' and 'A Thousand Blows' and films including 'Living', 'The Last Duel', 'Amsterdam' and 'Luther' to name a few!
Florence started as a runner and worked her way up to agent level meaning that she is fully aware of how the entire machine of the industry works. Her passion in all things film, television and theatre related means she thoroughly enjoys every aspect of her job.
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Kristina Erdely (she/her) is a London based casting director/producer with over 25 years experience in the industry.
Initially beginning as a theatre producer, Kristina migrated into casting features and High-End Television for the international market and has founded her production company Marilla Pictures in 2018.
Kristina is a voting member of BAFTA and BIFA and PACT and is a founding member of the European/London Chapter of the CSA (Casting Society of America)
As an advocate for equality both in front and behind the camera, Kristina is passionate about actively increasing diverse storytelling opportunities, inclusive productions, and has a rolling knowledge of the industry’s emerging talent.
Kristina’s recent television work includes David Fincher’s BAFTA winning Love, Death and Robots series for Netflix, for which she was nominated for the Artios Awards in 2020.
Other TV includes: The Royals for NBC / Lionsgate, and Blood Drive, a longform series for Syfy in the US, The Drowning for Channel 5 and All3 Meida.
Toni_with_An_I received a BAFTA nomination in the short form television category in 2020.
Kristina’s recent film work includes The Actor directed by Duke Johnson, The Brutalist directed by Brady Corbet, the award-winning Eaten by Lions, directed by Jason Wingard, winner of ‘Best Comedy’ at the National Film Awards 2020 and currently broadcast on Sky Cinema. Talent includes BAFTA winner Asim Chaudhry, Johnny Vegas and Antonio Aakeel who received the prestigious ‘Screen Star of Tomorrow’ after the film’s success.
Her work on In Another Life, also directed by Jason Wingard, won the 2017 British Independent Film Awards ‘Discovery Award’ and was named ‘Best Film’ at Raindance.
Jupiter’s Moon, directed by Kornel Mundruczo (Pieces of a Woman) was included in main competition for the Cannes Palme d’Or 2017.
£32
£28
Casting Associate
Holly Blain-Rodman
Casting Associate
Rose Powell
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Holly Blain-Rodman (she/her) is a Casting Associate in film, TV, short films, commercials & music videos for leading Casting Director Kharmel Cochrane with credits including John Wick 4 (2023), Lady Chatterley's Lover (2023), Gran Turismo (2023), The First Omen (2023) & Robert Eggers' upcoming film Nosferatu (2023). Originally training in English Literature and Theatre Studies and subsequently achieving an MA at Royal Central School of Speech and Drama in Advanced Theatre Practice, she started out in casting offices in 2020.
£28
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Rose Powell (she/her) is a Casting Associate for Film, TV, Commercials and Music Videos. She has worked with Kharmel Cochrane for 4 years with past credits including Mothering Sunday (2021), The Northman (2022) John Wick 4 (2023) and Rye Lane (2023) and upcoming credits including Emerald Fennell's Saltburn (2023), Untitled Bob Marley Biopic (2024) and Gran Turismo (2023). She has also Casting Directed various short films and a music video.
Rose studied Film, Photography & Media at Leeds University and subsequently studied an MA in Directing at Met Film School. Starting in production as a runner and 2nd AD, she realised her passion laid in Casting and has stayed in this department ever since!
£28
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Nick Stuart (he/him) has experience casting for film and TV, popular reality TV programmes, West End productions and cruise lines.
Nick is a Casting Associate with Pearson Casting and has been on the casting team for the brand new exciting ITV1 series “Mamma Mia - I have a Dream”. He’s also cast for “Ex on the beach” for MTV and “Come dine with me: The Professionals” for Channel 4.
His performing background is extensive in Theatre, TV, Film and commercials including in the UK, Germany and America. His musical highlights include “Mary Poppins”, “Chicago”, “We will rock you” “Victor Victoria” and most recently Strictly’s Alijaz and Jeanette’s “A Christmas to remember”. He was also the associate choreographer for “Paper hearts the musical” and has worked for Royal Caribbean cruise lines as a dancer. He can be seen on “Silent pool Gin” adverts and in the film “The guernsey literary and potato peel society”.
He was part of the Musical Theatre faculty at Bird College for over 3 years where he continues to choreograph and stage pieces for the college. He’s taught and choreographed for numerous other performing arts colleges across the country.
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Sophie Matthew (She/her) is a casting associate, casting assistant and a successful actor who trained at Mountview Academy of Theatre Arts.
Sophie has worked in casting for over six years, including Casting Assistant for Debbie O’Brien and Harry Blumenau, and more recently as Casting Associate for Hubbard Casting on feature film God’s Spy. She has also assisted for Anne Vosser, Jamie Wilson Productions, Kevin Clifton and others. Casting credits include Dirty Dancing, Grease, Starlight Express, The Choir of Man, Jersey Boys, Kinky Boots, Room, Private Lives, and many more!
Acting credits include Lisa / 1st cover Sophie in Mamma Mia! (West End), Sarah in Our House (UK Tour), Barbara in Summer Holiday (UK Tour), Ginny in Humans (Channel 4) and Lil in Blinkers (Tutti Tutti Productions). She has also just finished her first audio drama role for Big Finish.
Further, Sophie teaches at various Drama Schools and Universities, particularly focusing on audition technique and performance jazz. She has also worked as an Assistant for the talent agency The Production Exchange.
£28
£28
Casting Assistant
Sarah Goggin
Director / Producer
Alexander Igbanoi
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Sarah Goggin (She/Her) has been a casting assistant and associate for Stage, TV and Films for the past 8 years. Most recently she was casting for Disenchated for Disney along with commercials and feature films in Ireland. Sarah is also an actress who trained at Bird College. She has been an agent's assistant and recently was an associate Director for Crossroads Pantomimes.
Previous performing credits include: Helen in Half A Sixpence (Kilworth House), TABOO 20th Anniversary Concert at The London Palladium. Monica Geller in the original UK tour of the Friends musical parody, Friends. Sister Mary Robert in UK Tour of Sister Act (Jamie Wilson Productions), Snow White in Snow White (Qdos pantomimes), Sister Mary Robert in Sister Act (Kilworth House), Cinderella in Cinderella (Qdos pantomimes), Rachel in Bad Girls (The Union Theatre), Christmas in New York with Eden Espinosa (Palace Theatre, London/Manchester), Been on Broadway (Vaudeville Theatre), Betty in Sincerely Yours (Landor Theatre), Woman 2 in I Love You You’re Perfect Now Change (Battersea Barge), Jodie in Best Of Friends (The Landor), Janey/cover Kim in Taboo (Brixton Clubhouse)
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Alexander Igbanoi (he/him) is an award-winning Director whose recent film 'The Half you Hate' won Best Director, Best Film and Best Ensemble Cast at the New York Lift-Off Film Festival 2022. He began his career as an Acting Coach, teaching in some of the world's leading drama schools. After noticing a shift, he seized the opportunity and championed people of colour by developing several emerging actors into the industry. After 10 years, he pivoted into coaching and started directing shorts. He currently has several productions in development, including his first Feature Film "The 3 Sounds of Silence," which is in development.
£28
£44
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Corinna McFarlane (she/her) is an acclaimed film director whose career began in theatre. By the age of 18, she was writing, directing, performing and producing, through her own company of actors. Awarded a prize for entrepreneurship by the University of Sussex, where she was studying Political Science, Corinna took sold-out, critically acclaimed shows from Brighton’s Komedia Theatre to several iconic London fringe venues and on to 4-star runs at the Edinburgh Fringe Festival.
At 22, Corinna landed her first role as a film producer on the low-budget British indie, The Great Ecstasy of Robert Carmichael, directed by Thomas Clay. Against all the odds, Corinna and the young team succeeded in bringing the film to compete for the Camera D’Or at the Cannes Film Festival 2005.
Corinna went on to direct, produce and edit the award-winning indie documentary Three Miles North of Molkom. The film was a resounding critical success, theatrically released by Metrodome in the UK in 2009, Wildbunch in Europe and IFC in North America. The film acquired a string of prestigious international nominations; the Audience Award for best film (including dramas) at the Goteborg Film Festival, a finalist in the Audience Award tables at IDFA and was nominated for a British Independent Film Award for Best British Documentary.
The remake rights for Corinna’s documentary debut sparked a bidding frenzy in Hollywood. Choosing to maintain involvement as an executive producer and to work in the UK, Corinna struck a deal with Dan Mazer (long term Sacha Baron Cohen collaborator – Borat, Bruno, Ali G) and his producers, Oscar winning production company, Blueprint Pictures (Three Billboards Outside of Missouri, The Banshees of Inisherin). The project is in development with the support of the BFI.
Ready to write her first feature film script, Corinna set off to find inspiration from her Scottish roots. She converted the back of a long-wheel-base Land Rover so she could sleep in it and spent the next year travelling the Highlands. The Silent Storm is the script that came out of that process. Returning to London, Corinna joined forces with producer Nicky Bentham (The Duke, Moon) and her writing caught the attention of iconic film producers Barbara Broccoli and Michael G. Wilson. The script became Corinna’s dramatic debut and EON’s first foray into independent filmmaking outside of James Bond. The film starred British actors, Andrea Riseborough and Damian Lewis and, after its premiere at the London Film Festival 2015, was immediately picked up by SONY for international release.
Corinna’s exciting working relationship with Barbara Broccoli and Michael G. Wilson continued; the producers sent Corinna to LA to develop and write a psychological thriller script. This project remains confidential.
After 15 years working in the film industry, Corinna took time out and moved first to India, then to Italy, to embark on her journey into motherhood. During this time, her friendship with children’s author Michael Morpurgo inspired Corinna to start developing My Summer as Mia, a feminist re-telling of a true story Michael shared with her, a story that inspired him to write War Horse.
Alongside raising her two children in Somerset, Corinna is now working with multi-Cannes award-winning producer Louis Tisné (Border, The 8 Mountains) and the BFI on My Summer as Mia, currently casting for a Summer 2023 UK/Vietnam shoot.
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Nathan Graham (he/him) is a successful screen actor who began his career in the West End.
Nathan also offers a reading service for £38 where he will read with you for a tape and provide live feedback. Please email us on team@streettheatre.co.uk to enquire.
Nathan originally started out in Musical Theatre, but moved across to Film + TV. His unique experience will help other actors looking to make a similar move.
Television Credits:
Coronation Street (ITV)
Platform 7 (ITV)
Theatre Credits:
Loserville (Garrick Theatre)
20th Century Boy (UK Tour)
Hairspray (Macau Theatre)
West Side Story (Salzburger Festspiele)
Miss Saigon (Prince Edward Theatre)
Dreamgirls (Savoy Theatre)
Nathan trained at Bird College.
£100
£20
Casting Director
Kristina Erdely
Talent Agent
Florence Rose
Casting Assistant
Sophie Matthew
Casting Associate
Nick Stuart
Actor
Nathan Graham
Screenwriter / Director
Corinna McFarlane
Express Option
Any Creative
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The perfect option if you need feedback turned around in 24 hours (Monday-Friday.) Tell us which dicipline and we will choose the creative who can give you feedback in the quickest timeframe.
£30
How does FeedbackPro work?
Choose your creative or choose the express option when you need feedback fast. Read through their bios to get an idea of their experience.
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After ordering, you will receive an email with questions on what feedback you would like to hear and details on how to submit your tape or your questions (tapes 5 min max.)
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Once submitted, you will receive a voice note with feedback from your chosen creative. Feedback will be returned within the week, unless you’ve chosen the express 24 hour option.
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Frequently Asked Questions
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Unless you have chosen the express option, feedback will be returned within the week, and sometimes within 48 hours of your tape being received by Street Theatre. Please mention if you have a specific time frame you are working towards when you submit your tape.
There is a 24 hour express option which means your tape will be sent to any of the incredible creatives that have experience in your area of discipline.
Please note working hours are Monday-Friday.
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You will receive your feedback via a voice-note forwarded to you from WhatsApp by the team at Street Theatre.
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After you purchase a feedback review, you will be sent an email with questions that you are encouraged to fill out and send across with your tape for the creative which will help them give you relevant feedback.
You are also welcome to ask a questions instead of submitting a tape. This could include getting opinions on your Spotlight, showreel, or any other number of industry questions, like how to get started!
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Only one team member at Street Theatre and the specific creative will see your self-tape. Once the feedback has been given your tape will be deleted by all parties.
The example tapes you see on our website and on social media have all been approved with the various actors and dancers.
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-You can submit an informal or a formal self-tape. You will be given feedback based on your performance, not how professional your tape looks.
-You are also welcome to submit a tape to get feedback on your set-up if you are planning on submitting to agents or Casting Directors.
-It is always best to film in landscape.
-We recommend filming in a room with soft furnishings as our creatives will be able to hear you best this way.
-Please keep your tape under 5 minutes.
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You are welcome to ask any question you might have relating to the performing arts. Feel free to add in a few questions for the creative.
Here are some examples:
How do I get an agent?
What’s the best way to showcase myself on Spotlight?
How do I get auditions for Musical Theatre?
Can I ask for feedback on my showreel/vocal reel?
Do I have to be a member of Spotlight?
Should I join equity?
What should I wear to auditions?
Do I need to be off-book for scenes in auditions?
Can you recommend a singing or acting teacher?
If I’m seen for a recall, can I wear and sing the same as the first audition?
Which colleges are best for acting/singing/dancing?
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Take a look at the creative’s bios. You will be able to see which disciplines they offer including singing, dancing and acting.
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All purchased sessions last for 12 months. If you don’t submit within the first month, we can not guarantee your chosen creative will still be available, but you will be welcome to choose another creative when you submit your tape or question.
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Workshops with Casting Directors are educational and should never be considered a job interview or audition. Attending workshops is not a way to obtain employment as an actor. The presence of a Casting Director is neither a guarantee nor a promise of employment. Contact with a Casting Director at a workshop rarely results in any further contact with that Casting Director or any company affiliated with that Casting Director.
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Not at all! Each creative on the FeedbackPro team was selected because of their kindness and desire to help actors and dancers reach their potential (in addition to their very impressive credits). Many of the creatives have even spent time teaching at some of the top drama schools. They know this is not an audition or formal tape and are keen to help you excel!
Have more questions on FeedbackPro? Send us an email at team@streettheatre.co.uk
